Paine Memorial: A Visual Essay

This visual essay is constructed from still images and fragments of an interview with Sara Ramírez conducted in Paine, Chile, in 2010. The essay’s images and text seek to elicit a reflexive and aesthetic response in the reader, calling their attention to the traumatic experience of the relatives and...

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Main Authors: Traverso, Antonio, Azua, Enrique
Format: Journal Article
Published: Routledge 2013
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/39863
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author Traverso, Antonio
Azua, Enrique
author_facet Traverso, Antonio
Azua, Enrique
author_sort Traverso, Antonio
building Curtin Institutional Repository
collection Online Access
description This visual essay is constructed from still images and fragments of an interview with Sara Ramírez conducted in Paine, Chile, in 2010. The essay’s images and text seek to elicit a reflexive and aesthetic response in the reader, calling their attention to the traumatic experience of the relatives and communities of political detainees who became victims of selective kidnapping, torture, summary execution, and disappearance in 1973. The visual-textual arrangement particularly focuses on the complex tension between no-memory and re-constructed memory in the second and third generations of victims, who have grown up in a disfigured social landscape fatally marked by loss, silence, lack, fear and guilt. Of especial significance for debates regarding “postmemory” is the category “unborn children,” which emerged in the course of the interview, as used by Ramírez to refer to children of executed or missing political detainees who, like herself, were born after their parent’s death or disappearance.
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spelling curtin-20.500.11937-398632017-09-13T14:30:06Z Paine Memorial: A Visual Essay Traverso, Antonio Azua, Enrique postmemory memorial trauma desaparecidos dictatorship Chile torture This visual essay is constructed from still images and fragments of an interview with Sara Ramírez conducted in Paine, Chile, in 2010. The essay’s images and text seek to elicit a reflexive and aesthetic response in the reader, calling their attention to the traumatic experience of the relatives and communities of political detainees who became victims of selective kidnapping, torture, summary execution, and disappearance in 1973. The visual-textual arrangement particularly focuses on the complex tension between no-memory and re-constructed memory in the second and third generations of victims, who have grown up in a disfigured social landscape fatally marked by loss, silence, lack, fear and guilt. Of especial significance for debates regarding “postmemory” is the category “unborn children,” which emerged in the course of the interview, as used by Ramírez to refer to children of executed or missing political detainees who, like herself, were born after their parent’s death or disappearance. 2013 Journal Article http://hdl.handle.net/20.500.11937/39863 10.1080/13504630.2013.817634 Routledge restricted
spellingShingle postmemory
memorial
trauma
desaparecidos
dictatorship
Chile
torture
Traverso, Antonio
Azua, Enrique
Paine Memorial: A Visual Essay
title Paine Memorial: A Visual Essay
title_full Paine Memorial: A Visual Essay
title_fullStr Paine Memorial: A Visual Essay
title_full_unstemmed Paine Memorial: A Visual Essay
title_short Paine Memorial: A Visual Essay
title_sort paine memorial: a visual essay
topic postmemory
memorial
trauma
desaparecidos
dictatorship
Chile
torture
url http://hdl.handle.net/20.500.11937/39863