The program note as creative knowledge and skills: shaping a collaborative interpretation of newly composed music

QR Code

The program note as creative knowledge and skills: shaping a collaborative interpretation of newly composed music

In the classical music concert, a program note provides listeners with information about historical context, personal composer details and the musical thinking behind a work. For repertoire in the Western art music canon, players often know much of this information before they start practicing and t...

Full description

Bibliographic Details
Main Authors:	Bennett, Dawn, Blom, D.
Other Authors:	Glen Carruthers
Format:	Conference Paper
Published:	International Society for Music Education 2014
Subjects:	collaborative interpretation new music practice-led research program note Creative knowledge and skills
Online Access:	http://hdl.handle.net/20.500.11937/38984

Similar Items

Collaborative understandings in the preparation of a new work for viola and piano
by: Blom, D., et al.
Published: (2013)

The composer's program note for newly written classical music: Content and intentions
by: Blom, D., et al.
Published: (2016)

Creative Migration: a Western Australian case study of creative artists
by: Bennett, Dawn
Published: (2012)

The role of career creativities in developing identitiy and becoming expert selves
by: Bennett, Dawn
Published: (2013)

Developing a framework for the analysis of program notes written for contemporary classical music concerts
by: Bennett, Dawn, et al.
Published: (2020)

Constructing pedagogy: The nexus between artistic practice, research and teaching
by: Bennett, Dawn, et al.
Published: (2011)

Creative ex-pats: Globalisation and creative communities
by: Bennett, Dawn
Published: (2009)

Becoming and being a musician: The role of creativity in students’ learning and identity formation
by: Reid, A., et al.
Published: (2014)

Creative Migration: a Western Australian case study of creative artists
by: Bennett, Dawn
Published: (2009)

The city: Creative migration and the demise of small music venues
by: Bennett, Dawn
Published: (2009)

^muzicode$: composing and performing musical codes
by: Greenhalgh, Chris, et al.
Published: (2016)

Completion of fit notes by GPs: a mixed methods study
by: Coole, Carol, et al.
Published: (2015)

The 5th IMC World Forum on Music: New Music for viola and piano
by: Bennett, Dawn, et al.
Published: (2013)

Social music machine: crowdsourcing for composition & creativity
by: Chamberlain, Alan, et al.
Published: (2017)

The music workforce, cultural heritage and sustainability
by: Petocz, P., et al.
Published: (2014)

Music, musicians and careers
by: Bennett, Dawn, et al.
Published: (2012)

Art Music Composition in Malaysia: A Focus on Three Composers
by: Lam, Ming Huey
Published: (2000)

The ‘Take 5 Voices’ of community music – understanding the lived experiences of a UK community choir through phenomenology
by: Horner, Kristen
Published: (2019)

Viola Soloist: public recital given at the University of Music and Performing Arts, Vienna
by: Bennett, Dawn, et al.
Published: (2013)

Recommendations to facilitate the ideal fit note: are they achievable in practice?
by: Coole, Carol, et al.
Published: (2015)

Gifting personal interpretations in galleries
by: Fosh, Lesley, et al.
Published: (2014)

Viola Soloist: public recital at the Sydney Conservatorium of Music March 2013
by: Bennett, Dawn, et al.
Published: (2013)

Looking inside the portfolio to understand the work of creative workers: a study of creatives in Perth
by: Bennett, Dawn, et al.
Published: (2014)

Film in biography form: the use of pre-existing classical music in the composer biopic
by: Farrell-Griffiths, Naomi
Published: (2019)

Arts practice as a site of knowledge/research: An Australian perspective of the artist in academia
by: Blom, D., et al.
Published: (2010)

Are the robots coming? Designing with autonomy & control for musical creativity & performance
by: Chamberlain, Alan
Published: (2017)

Creative and educational spaces: The musician in higher education
by: Bennett, Dawn
Published: (2010)

The Grime scene: social media, music, creation and consumption
by: McGrath, Sean, et al.
Published: (2016)

Technology, identity and the creative artist
by: Rowley, J., et al.
Published: (2013)

Creative workers’ views on cultural heritage and sustainability
by: Bennett, Dawn, et al.
Published: (2014)

The artistic practice-research-teaching (ART) nexus: Translating the information flow
by: Bennett, Dawn, et al.
Published: (2010)

The role of heroic creativity and leadership in creative work
by: Bennett, Dawn, et al.
Published: (2020)

A creative approach to exploring student identity
by: Bennett, Dawn
Published: (2012)

Developing familiarity: Rehearsal talk in a newly-formed duo
by: Bennett, Dawn, et al.
Published: (2021)

Into The Sun for Viola and Piano
by: Bennett, Dawn, et al.
Published: (2013)

Musical exposures and creativity among music major trainee teachers in Malaysia / Lim Zek Chew
by: Lim, Zek Chew
Published: (2014)

State of play: Live original music venues in Western Australia
by: Bennett, Dawn
Published: (2010)

A landscape of design: interaction, interpretation and the development of experimental expressive interfaces
by: Chamberlain, Alan, et al.
Published: (2018)

The creativity and music analysis of Li Xiangjing’s Nanyin Poetry and Painting / Wang Xiaolu
by: Wang, Xiaolu
Published: (2019)

Expanding access to group singing for people with dementia: implications of music therapy skill sharing for research and practice
by: Dowson, Elizabeth Rebecca Mary
Published: (2020)

Cannot write session to /tmp/vufind_sessions/sess_uf4bfpi5th4r2iu0rs0qts3gc6