Dematerialised data and human desire: the Internet and copy culture

Since Licklider in the 1960s [27] influential proponents of networked computing have envisioned electronic information in terms of a relatively small (even singular) number of 'sources', distributed through technologies such as the Internet. Most recently, Levy writes, in Becoming Virtual,...

Full description

Bibliographic Details
Main Author: Allen, Matthew
Other Authors: Tosiyasu L. Kunii
Format: Conference Paper
Published: The Institute of Electrical and Electronics Engineers, Inc. 2003
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/38292
_version_ 1848755280807985152
author Allen, Matthew
author2 Tosiyasu L. Kunii
author_facet Tosiyasu L. Kunii
Allen, Matthew
author_sort Allen, Matthew
building Curtin Institutional Repository
collection Online Access
description Since Licklider in the 1960s [27] influential proponents of networked computing have envisioned electronic information in terms of a relatively small (even singular) number of 'sources', distributed through technologies such as the Internet. Most recently, Levy writes, in Becoming Virtual, that "in cyberspace, since any point is directly accessible from any other point, there is an increasing tendency to replace copies of documents with hypertext links. Ultimately, there will only need to be a single physical exemplar of the text" [13 p.61]. Hypertext implies, in theory, the end of 'the copy', and the multiplication of access points to the original. But, in practice, the Internet abounds with copying, both large and small scale, both as conscious human practice, and also as autonomous computer function. Effective and cheap data storage that encourages computer users to keep anything of use they have downloaded, lest the links they have found, 'break'; while browsers don't 'browse' the Internet - they download copies of everything to client machines. Not surprisingly, there is significant regulation against 'copying' - regulation that constrains our understanding of 'copying' to maintain a legal fiction of the 'original' for the purposes of intellectual property protection. In this paper, I will firstly demonstrate, by a series of examples, how 'copying' is more than just copyright infringement of music and software, but is a defining, multi-faceted feature of Internet behaviour. I will then argue that the Internet produces an interaction between dematerialised, digital data and human subjectivity and desire that fundamentally challenges notions of originality and copy. Walter Benjamin noted about photography: "one can make any number of prints [from a negative]; to ask for the 'authentic' print makes no sense" [4 p.224]. In cyberspace, I conclude, it makes no sense to ask which one is the copy.
first_indexed 2025-11-14T08:53:48Z
format Conference Paper
id curtin-20.500.11937-38292
institution Curtin University Malaysia
institution_category Local University
last_indexed 2025-11-14T08:53:48Z
publishDate 2003
publisher The Institute of Electrical and Electronics Engineers, Inc.
recordtype eprints
repository_type Digital Repository
spelling curtin-20.500.11937-382922022-10-06T03:36:45Z Dematerialised data and human desire: the Internet and copy culture Allen, Matthew Tosiyasu L. Kunii Seah Hock Soon Alexei Sourin online society cyberspace plagiarism Since Licklider in the 1960s [27] influential proponents of networked computing have envisioned electronic information in terms of a relatively small (even singular) number of 'sources', distributed through technologies such as the Internet. Most recently, Levy writes, in Becoming Virtual, that "in cyberspace, since any point is directly accessible from any other point, there is an increasing tendency to replace copies of documents with hypertext links. Ultimately, there will only need to be a single physical exemplar of the text" [13 p.61]. Hypertext implies, in theory, the end of 'the copy', and the multiplication of access points to the original. But, in practice, the Internet abounds with copying, both large and small scale, both as conscious human practice, and also as autonomous computer function. Effective and cheap data storage that encourages computer users to keep anything of use they have downloaded, lest the links they have found, 'break'; while browsers don't 'browse' the Internet - they download copies of everything to client machines. Not surprisingly, there is significant regulation against 'copying' - regulation that constrains our understanding of 'copying' to maintain a legal fiction of the 'original' for the purposes of intellectual property protection. In this paper, I will firstly demonstrate, by a series of examples, how 'copying' is more than just copyright infringement of music and software, but is a defining, multi-faceted feature of Internet behaviour. I will then argue that the Internet produces an interaction between dematerialised, digital data and human subjectivity and desire that fundamentally challenges notions of originality and copy. Walter Benjamin noted about photography: "one can make any number of prints [from a negative]; to ask for the 'authentic' print makes no sense" [4 p.224]. In cyberspace, I conclude, it makes no sense to ask which one is the copy. 2003 Conference Paper http://hdl.handle.net/20.500.11937/38292 10.1109/CYBER.2003.1253431 The Institute of Electrical and Electronics Engineers, Inc. fulltext
spellingShingle online society
cyberspace
plagiarism
Allen, Matthew
Dematerialised data and human desire: the Internet and copy culture
title Dematerialised data and human desire: the Internet and copy culture
title_full Dematerialised data and human desire: the Internet and copy culture
title_fullStr Dematerialised data and human desire: the Internet and copy culture
title_full_unstemmed Dematerialised data and human desire: the Internet and copy culture
title_short Dematerialised data and human desire: the Internet and copy culture
title_sort dematerialised data and human desire: the internet and copy culture
topic online society
cyberspace
plagiarism
url http://hdl.handle.net/20.500.11937/38292