Who Belongs Where in 'The Woodlanders'?

In recent years ecocriticism has renovated the old orthodoxy, demolished forty years ago by Raymond Williams, that Thomas Hardy was the “incomparable chronicler” of an unchanging culture and the “last representative of old rural England.” In particular, The Woodlanders has been reread as the study o...

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Main Author: Dolin, Tim
Format: Journal Article
Published: Duke University Press 2012
Online Access:http://hdl.handle.net/20.500.11937/35744
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author Dolin, Tim
author_facet Dolin, Tim
author_sort Dolin, Tim
building Curtin Institutional Repository
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description In recent years ecocriticism has renovated the old orthodoxy, demolished forty years ago by Raymond Williams, that Thomas Hardy was the “incomparable chronicler” of an unchanging culture and the “last representative of old rural England.” In particular, The Woodlanders has been reread as the study of a culture of belonging that is infiltrated and undermined by a culture of tourism. This essay argues that Hardy’s novel in fact obliges us to question what belonging means in Wessex, where tourism is already immanent and where the culture of habitat is a consumer fantasy to which Hardy himself contributed as a producer of rural tales for metropolitan markets. Fiction reading and the tourism it complements and engenders both have material consequences, as the novel acknowledges. Reader-tourists see themselves in Grace Melbury, in particular, and recognize in her story a struggle toward a new kind of touristic subjectivity, founded in poetic attentiveness. If they read Hardy aright, they are encouraged to follow Grace in unmaking the self-evidence of the scenic Wessex: to notice it, as she does, for the first time, in an extreme close-up that “disproportions” and denaturalizes it, refuting the sedate long shots of tourist brochures.
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spelling curtin-20.500.11937-357442017-09-13T15:32:01Z Who Belongs Where in 'The Woodlanders'? Dolin, Tim In recent years ecocriticism has renovated the old orthodoxy, demolished forty years ago by Raymond Williams, that Thomas Hardy was the “incomparable chronicler” of an unchanging culture and the “last representative of old rural England.” In particular, The Woodlanders has been reread as the study of a culture of belonging that is infiltrated and undermined by a culture of tourism. This essay argues that Hardy’s novel in fact obliges us to question what belonging means in Wessex, where tourism is already immanent and where the culture of habitat is a consumer fantasy to which Hardy himself contributed as a producer of rural tales for metropolitan markets. Fiction reading and the tourism it complements and engenders both have material consequences, as the novel acknowledges. Reader-tourists see themselves in Grace Melbury, in particular, and recognize in her story a struggle toward a new kind of touristic subjectivity, founded in poetic attentiveness. If they read Hardy aright, they are encouraged to follow Grace in unmaking the self-evidence of the scenic Wessex: to notice it, as she does, for the first time, in an extreme close-up that “disproportions” and denaturalizes it, refuting the sedate long shots of tourist brochures. 2012 Journal Article http://hdl.handle.net/20.500.11937/35744 10.1215/00267929-1723369 Duke University Press restricted
spellingShingle Dolin, Tim
Who Belongs Where in 'The Woodlanders'?
title Who Belongs Where in 'The Woodlanders'?
title_full Who Belongs Where in 'The Woodlanders'?
title_fullStr Who Belongs Where in 'The Woodlanders'?
title_full_unstemmed Who Belongs Where in 'The Woodlanders'?
title_short Who Belongs Where in 'The Woodlanders'?
title_sort who belongs where in 'the woodlanders'?
url http://hdl.handle.net/20.500.11937/35744