The Jackson jive: Blackface today and the limits of whiteness in Australia

Blackface has had something of a renaissance in the United States. There it is invested with a postmodern, selfconsciously parodic quality. In Australia there has also been a renaissance of blackface. Here, however, it appears to continue to be invested more straightforwardly with racism. This artic...

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Main Author: Stratton, Jon
Format: Journal Article
Published: European Association for Studies on Australia 2011
Subjects:
Online Access:http://www.easa-australianstudies.net/node/261
http://hdl.handle.net/20.500.11937/35707
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author Stratton, Jon
author_facet Stratton, Jon
author_sort Stratton, Jon
building Curtin Institutional Repository
collection Online Access
description Blackface has had something of a renaissance in the United States. There it is invested with a postmodern, selfconsciously parodic quality. In Australia there has also been a renaissance of blackface. Here, however, it appears to continue to be invested more straightforwardly with racism. This article focuses on the notorious Jackson Jive sketch on Hey, Hey It's Saturday in 2009. In that sketch six men blacked up and wore cheap Afro wigs performing as if they were the Jackson Five. They claimed that the sketch was simply humorous. Australians were divided; many found the sketch offensive while many considered it enjoyable. A similar division in the population occurred when Sam Newman, an ex-Australian Rules footballer and knock about comedian, blacked up in 1999 and pretended to be the Indigenous footballer, Nicky Winmar. In Australia blackface continues to reinforce the privileges of whiteness-even when, as was the case with the members of the Jackson Jive, most were in Australian terms either non-white or marginally white. In this case, blackface reinforced these men's honorary whiteness.
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spelling curtin-20.500.11937-357072017-01-30T13:51:14Z The Jackson jive: Blackface today and the limits of whiteness in Australia Stratton, Jon bogans larrikins blackface Nicky Winmar Jackson Jive racism Blackface has had something of a renaissance in the United States. There it is invested with a postmodern, selfconsciously parodic quality. In Australia there has also been a renaissance of blackface. Here, however, it appears to continue to be invested more straightforwardly with racism. This article focuses on the notorious Jackson Jive sketch on Hey, Hey It's Saturday in 2009. In that sketch six men blacked up and wore cheap Afro wigs performing as if they were the Jackson Five. They claimed that the sketch was simply humorous. Australians were divided; many found the sketch offensive while many considered it enjoyable. A similar division in the population occurred when Sam Newman, an ex-Australian Rules footballer and knock about comedian, blacked up in 1999 and pretended to be the Indigenous footballer, Nicky Winmar. In Australia blackface continues to reinforce the privileges of whiteness-even when, as was the case with the members of the Jackson Jive, most were in Australian terms either non-white or marginally white. In this case, blackface reinforced these men's honorary whiteness. 2011 Journal Article http://hdl.handle.net/20.500.11937/35707 http://www.easa-australianstudies.net/node/261 European Association for Studies on Australia fulltext
spellingShingle bogans
larrikins
blackface
Nicky Winmar
Jackson Jive
racism
Stratton, Jon
The Jackson jive: Blackface today and the limits of whiteness in Australia
title The Jackson jive: Blackface today and the limits of whiteness in Australia
title_full The Jackson jive: Blackface today and the limits of whiteness in Australia
title_fullStr The Jackson jive: Blackface today and the limits of whiteness in Australia
title_full_unstemmed The Jackson jive: Blackface today and the limits of whiteness in Australia
title_short The Jackson jive: Blackface today and the limits of whiteness in Australia
title_sort jackson jive: blackface today and the limits of whiteness in australia
topic bogans
larrikins
blackface
Nicky Winmar
Jackson Jive
racism
url http://www.easa-australianstudies.net/node/261
http://hdl.handle.net/20.500.11937/35707