Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance
This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through em...
| Main Author: | |
|---|---|
| Format: | Journal Article |
| Published: |
Drama Australia
2011
|
| Online Access: | http://hdl.handle.net/20.500.11937/35399 |
| _version_ | 1848754486684680192 |
|---|---|
| author | Freeman, John |
| author_facet | Freeman, John |
| author_sort | Freeman, John |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through embodiment, institutional acceptance, truth, lies and punctuation, theatre influence, and tensions between permanence and ephemerality. |
| first_indexed | 2025-11-14T08:41:11Z |
| format | Journal Article |
| id | curtin-20.500.11937-35399 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T08:41:11Z |
| publishDate | 2011 |
| publisher | Drama Australia |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-353992017-09-13T15:22:16Z Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance Freeman, John This article questions whether practice-based submissions for PhD are chiefly problematised by their own immediacy and that issues of dissemination are secondary to issues of time. In suggesting research is linked to the unruly rhythms of creative practice, the article picks its own route through embodiment, institutional acceptance, truth, lies and punctuation, theatre influence, and tensions between permanence and ephemerality. 2011 Journal Article http://hdl.handle.net/20.500.11937/35399 10.1080/14452294.2011.11649533 Drama Australia restricted |
| spellingShingle | Freeman, John Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title | Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title_full | Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title_fullStr | Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title_full_unstemmed | Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title_short | Re-Clothing the Emperor: the Dead and Aliveness of Practice-Based Research in Performance |
| title_sort | re-clothing the emperor: the dead and aliveness of practice-based research in performance |
| url | http://hdl.handle.net/20.500.11937/35399 |