Embodiment in the Museum - What is a Museum?

Challenges to museum curatorial control of meaning, combined with interest in the reading positions of visitors, have led to the growth of interactive interpretation strategies. Such strategies, however, often privilege curatorial pre-determined responses and presuppose that visitors are disembodied...

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Main Author: Harris, Jennifer
Format: Journal Article
Published: 2015
Online Access:http://network.icom.museum/fileadmin/user_upload/minisites/icofom/pdf/ISS_43b.pdf
http://hdl.handle.net/20.500.11937/3533
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author Harris, Jennifer
author_facet Harris, Jennifer
author_sort Harris, Jennifer
building Curtin Institutional Repository
collection Online Access
description Challenges to museum curatorial control of meaning, combined with interest in the reading positions of visitors, have led to the growth of interactive interpretation strategies. Such strategies, however, often privilege curatorial pre-determined responses and presuppose that visitors are disembodied, that actual bodies moving through exhibition spaces are not, in fact, the palpable reality of a museum experience. Visitors have a kind of textual invisibility. Consideration of visitor performativity and embodiment in museums poses an exhilarating museological challenge. Museums need to come to terms with the bodily aspects of a museum visit, understanding that visitors enact their narrations of the museum as they walk through it. This paper argues that, by textually denying the corporeal presence of visitors, museums continually misrecognise their own institutional identity as they theorize themselves as separate from the visitor. Examination of the walking visitor shows that a museum is not separate from the visitor, but comes into being through her or his walking presence. What impact does this have on the definition of a museum?
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spelling curtin-20.500.11937-35332017-01-30T10:31:58Z Embodiment in the Museum - What is a Museum? Harris, Jennifer Challenges to museum curatorial control of meaning, combined with interest in the reading positions of visitors, have led to the growth of interactive interpretation strategies. Such strategies, however, often privilege curatorial pre-determined responses and presuppose that visitors are disembodied, that actual bodies moving through exhibition spaces are not, in fact, the palpable reality of a museum experience. Visitors have a kind of textual invisibility. Consideration of visitor performativity and embodiment in museums poses an exhilarating museological challenge. Museums need to come to terms with the bodily aspects of a museum visit, understanding that visitors enact their narrations of the museum as they walk through it. This paper argues that, by textually denying the corporeal presence of visitors, museums continually misrecognise their own institutional identity as they theorize themselves as separate from the visitor. Examination of the walking visitor shows that a museum is not separate from the visitor, but comes into being through her or his walking presence. What impact does this have on the definition of a museum? 2015 Journal Article http://hdl.handle.net/20.500.11937/3533 http://network.icom.museum/fileadmin/user_upload/minisites/icofom/pdf/ISS_43b.pdf fulltext
spellingShingle Harris, Jennifer
Embodiment in the Museum - What is a Museum?
title Embodiment in the Museum - What is a Museum?
title_full Embodiment in the Museum - What is a Museum?
title_fullStr Embodiment in the Museum - What is a Museum?
title_full_unstemmed Embodiment in the Museum - What is a Museum?
title_short Embodiment in the Museum - What is a Museum?
title_sort embodiment in the museum - what is a museum?
url http://network.icom.museum/fileadmin/user_upload/minisites/icofom/pdf/ISS_43b.pdf
http://hdl.handle.net/20.500.11937/3533