Re-imagining China’s future: Soft power, cultural presence and the East Asian media market

This chapter provides an overview of cultural exchange in China during the imperial period (221 BC- 1911 AD). The discussion begins with a discussion of three development trajectories which I call territory, technology and taste. The second section examines the effects of taste in more detail throug...

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Main Author: Keane, Michael
Format: Book Chapter
Published: Monash University ePress 2010
Online Access:http://eprints.qut.edu.au/13316/
http://hdl.handle.net/20.500.11937/31269
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author Keane, Michael
author_facet Keane, Michael
author_sort Keane, Michael
building Curtin Institutional Repository
collection Online Access
description This chapter provides an overview of cultural exchange in China during the imperial period (221 BC- 1911 AD). The discussion begins with a discussion of three development trajectories which I call territory, technology and taste. The second section examines the effects of taste in more detail through examples of China’s creativity in art, philosophy and technology. The principal argument is that while China’s cultural authority was established on deep Confucian roots, its international influence, and its creativity, is indebted to periods of openness to ideas. The chapter concludes with an examination of China’s ’soft power’ rhetoric, itself a response to recent acknowledgements of China’s ’cultural trade deficit’. The chapter asks if China can claim ’soft power’ and cultural authority in East Asia.
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institution Curtin University Malaysia
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publishDate 2010
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spelling curtin-20.500.11937-312692017-01-30T13:24:28Z Re-imagining China’s future: Soft power, cultural presence and the East Asian media market Keane, Michael This chapter provides an overview of cultural exchange in China during the imperial period (221 BC- 1911 AD). The discussion begins with a discussion of three development trajectories which I call territory, technology and taste. The second section examines the effects of taste in more detail through examples of China’s creativity in art, philosophy and technology. The principal argument is that while China’s cultural authority was established on deep Confucian roots, its international influence, and its creativity, is indebted to periods of openness to ideas. The chapter concludes with an examination of China’s ’soft power’ rhetoric, itself a response to recent acknowledgements of China’s ’cultural trade deficit’. The chapter asks if China can claim ’soft power’ and cultural authority in East Asia. 2010 Book Chapter http://hdl.handle.net/20.500.11937/31269 http://eprints.qut.edu.au/13316/ Monash University ePress restricted
spellingShingle Keane, Michael
Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title_full Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title_fullStr Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title_full_unstemmed Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title_short Re-imagining China’s future: Soft power, cultural presence and the East Asian media market
title_sort re-imagining china’s future: soft power, cultural presence and the east asian media market
url http://eprints.qut.edu.au/13316/
http://hdl.handle.net/20.500.11937/31269