'Police On My Back' and the Postcolonial Experience

'Police On My Back' was written in England by Eddy Grant and recorded by his group, The Equals, in 1967. Since then it has been covered by a number of artists. In this article I am concerned with the original and four covers. Over the 40 years between the Equals' version of the song a...

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Main Author: Stratton, Jon
Format: Journal Article
Published: Routledge 2013
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/30636
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author Stratton, Jon
author_facet Stratton, Jon
author_sort Stratton, Jon
building Curtin Institutional Repository
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description 'Police On My Back' was written in England by Eddy Grant and recorded by his group, The Equals, in 1967. Since then it has been covered by a number of artists. In this article I am concerned with the original and four covers. Over the 40 years between the Equals' version of the song and the final version with which I am concerned, the meaning of the lyrics has changed from being an expression of Jamaican rude boy culture to being a song that expresses the oppression of migrants from British and European colonies living in the metropoles of the colonisers. This article tracks the changes in musical and lyrical expression in the song against the increasingly oppressive circumstances of those migrants and their descendents. These are the circumstances that contributed to the British riots of 1981 and of 2011. and the French riots of 1981, and the many subsequent riots climaxing in those of 2005. 'Police On My Back' has always been hybrid. Grant's version placed rude boy lyrics with a British beat group sound. Later, as the lyrics came to reflect the circumstances of the migrants, so the musical backing came to include a variety of musical forms, many of which expressed the heritages of the performers and asserted the legitimacy of those heritages in a multicultural context.
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spelling curtin-20.500.11937-306362017-10-02T02:28:15Z 'Police On My Back' and the Postcolonial Experience Stratton, Jon postcolonial The Clash 'Police On My Back' Lethal Bizzle riots The Equals 'Police On My Back' was written in England by Eddy Grant and recorded by his group, The Equals, in 1967. Since then it has been covered by a number of artists. In this article I am concerned with the original and four covers. Over the 40 years between the Equals' version of the song and the final version with which I am concerned, the meaning of the lyrics has changed from being an expression of Jamaican rude boy culture to being a song that expresses the oppression of migrants from British and European colonies living in the metropoles of the colonisers. This article tracks the changes in musical and lyrical expression in the song against the increasingly oppressive circumstances of those migrants and their descendents. These are the circumstances that contributed to the British riots of 1981 and of 2011. and the French riots of 1981, and the many subsequent riots climaxing in those of 2005. 'Police On My Back' has always been hybrid. Grant's version placed rude boy lyrics with a British beat group sound. Later, as the lyrics came to reflect the circumstances of the migrants, so the musical backing came to include a variety of musical forms, many of which expressed the heritages of the performers and asserted the legitimacy of those heritages in a multicultural context. 2013 Journal Article http://hdl.handle.net/20.500.11937/30636 10.1080/13504630.2013.796882 Routledge fulltext
spellingShingle postcolonial
The Clash
'Police On My Back'
Lethal Bizzle
riots
The Equals
Stratton, Jon
'Police On My Back' and the Postcolonial Experience
title 'Police On My Back' and the Postcolonial Experience
title_full 'Police On My Back' and the Postcolonial Experience
title_fullStr 'Police On My Back' and the Postcolonial Experience
title_full_unstemmed 'Police On My Back' and the Postcolonial Experience
title_short 'Police On My Back' and the Postcolonial Experience
title_sort 'police on my back' and the postcolonial experience
topic postcolonial
The Clash
'Police On My Back'
Lethal Bizzle
riots
The Equals
url http://hdl.handle.net/20.500.11937/30636