Shelley in the Transition to Russian Symbolism: Three Versions of 'Ozymandias'

Shelley in the Transition to Russian Symbolism: Three Versions of 'Ozymandias'

One of the features of the early Russian Symbolist movement in the 1890s is its appropriation of literary models previously championed by the civic tradition which preceded it and to which it was both philosophically and aesthetically opposed. One example can be found in treatments of the English p...

Full description

Bibliographic Details
Main Author: Wells, David
Format: Journal Article
Published: Modern Humanities Research Association 2013
Online Access:http://hdl.handle.net/20.500.11937/3048

Similar Items

Similar Items