Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City

In the past decade the ‘creative cluster’ has become a driver of urban renewal in China. Many cluster developments attract human capital and investment to post-industrial spaces. This paper looks at two developments which are more post-agricultural than post-industrial: the first is Songzhuang, a la...

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Main Authors: Keane, Michael, Wen, W.
Format: Journal Article
Published: National Cheng Kung University - Institute of Creative Industries Design 2013
Online Access:http://hdl.handle.net/20.500.11937/25704
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author Keane, Michael
Wen, W.
author_facet Keane, Michael
Wen, W.
author_sort Keane, Michael
building Curtin Institutional Repository
collection Online Access
description In the past decade the ‘creative cluster’ has become a driver of urban renewal in China. Many cluster developments attract human capital and investment to post-industrial spaces. This paper looks at two developments which are more post-agricultural than post-industrial: the first is Songzhuang, a large scale contemporary art community situated on the eastern fringe of Beijing, the second is Hangzhou’s White Horse Lake Creative Eco-City, a ‘mixed variety’ cluster model which integrates elements of art, fashion, design and animation. The common factor in both cases is how they came into existence. In both districts urban creative workers moved into a rural environment. Drawing on interviews with planners, officials, and residents we investigate the challenges of sustaining such fringe clusters.
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spelling curtin-20.500.11937-257042017-01-30T12:49:46Z Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City Keane, Michael Wen, W. In the past decade the ‘creative cluster’ has become a driver of urban renewal in China. Many cluster developments attract human capital and investment to post-industrial spaces. This paper looks at two developments which are more post-agricultural than post-industrial: the first is Songzhuang, a large scale contemporary art community situated on the eastern fringe of Beijing, the second is Hangzhou’s White Horse Lake Creative Eco-City, a ‘mixed variety’ cluster model which integrates elements of art, fashion, design and animation. The common factor in both cases is how they came into existence. In both districts urban creative workers moved into a rural environment. Drawing on interviews with planners, officials, and residents we investigate the challenges of sustaining such fringe clusters. 2013 Journal Article http://hdl.handle.net/20.500.11937/25704 National Cheng Kung University - Institute of Creative Industries Design restricted
spellingShingle Keane, Michael
Wen, W.
Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title_full Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title_fullStr Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title_full_unstemmed Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title_short Managing creativity on the margins: a comparative study of Beijing’s Songzhuang Art District and Hangzhou’s White Horse Lake Creative Eco-City
title_sort managing creativity on the margins: a comparative study of beijing’s songzhuang art district and hangzhou’s white horse lake creative eco-city
url http://hdl.handle.net/20.500.11937/25704