Find me, follow me

This photo essay with accompanying text was commissioned by the national arts journal Sturgeon as a response to Sophie Calle’s Suite Vénitienne (1983). The research considers the artistic legacy of Calle’s work after three decades while offering a meditation on disconnection through the uncanny, spe...

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Main Author: Costantino, Thea
Format: Non traditional textual works
Published: 2015
Online Access:http://sturgeonmagazine.com.au/find-me-follow-me/
http://hdl.handle.net/20.500.11937/22507
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author Costantino, Thea
author_facet Costantino, Thea
author_sort Costantino, Thea
building Curtin Institutional Repository
collection Online Access
description This photo essay with accompanying text was commissioned by the national arts journal Sturgeon as a response to Sophie Calle’s Suite Vénitienne (1983). The research considers the artistic legacy of Calle’s work after three decades while offering a meditation on disconnection through the uncanny, spectral space of hotels, Google Earth and the disquieting border between life and death. The essay restages elements of Calle’s work: her fevered diary entries as she attempts to stalk her target and her response to the transitory space of the hotel in a strange city, but relocates the narrative to one of searching for an estranged family member in the city space of Perth. The photographs accompanying the text are even more constructed than the 1983 original: the protagonist is a wax mannequin who bears a resemblance to Calle. In this way the essay plays on the tropes of authenticity and fakery and geographies of loss and location at work in Suite Vénitienne. The research presents an act of translation and reinterpretation through the combination of text and staged photography. It examines the motifs of Calle’s work while offering a new context in which to consider her themes. Its excellence is demonstrated by its publication in a national arts journal.
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institution Curtin University Malaysia
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spelling curtin-20.500.11937-225072018-05-01T06:13:15Z Find me, follow me Costantino, Thea This photo essay with accompanying text was commissioned by the national arts journal Sturgeon as a response to Sophie Calle’s Suite Vénitienne (1983). The research considers the artistic legacy of Calle’s work after three decades while offering a meditation on disconnection through the uncanny, spectral space of hotels, Google Earth and the disquieting border between life and death. The essay restages elements of Calle’s work: her fevered diary entries as she attempts to stalk her target and her response to the transitory space of the hotel in a strange city, but relocates the narrative to one of searching for an estranged family member in the city space of Perth. The photographs accompanying the text are even more constructed than the 1983 original: the protagonist is a wax mannequin who bears a resemblance to Calle. In this way the essay plays on the tropes of authenticity and fakery and geographies of loss and location at work in Suite Vénitienne. The research presents an act of translation and reinterpretation through the combination of text and staged photography. It examines the motifs of Calle’s work while offering a new context in which to consider her themes. Its excellence is demonstrated by its publication in a national arts journal. 2015 Non traditional textual works http://hdl.handle.net/20.500.11937/22507 http://sturgeonmagazine.com.au/find-me-follow-me/ restricted
spellingShingle Costantino, Thea
Find me, follow me
title Find me, follow me
title_full Find me, follow me
title_fullStr Find me, follow me
title_full_unstemmed Find me, follow me
title_short Find me, follow me
title_sort find me, follow me
url http://sturgeonmagazine.com.au/find-me-follow-me/
http://hdl.handle.net/20.500.11937/22507