The Capital Complex : Beijing’s New Creative Clusters

This essay begins with a brief discussion of how the idea of creative industries has provided the impetus for a new phase of cultural infrastructure construction in Beijing. I then contextualise these developments with an abridged history of the city from the time it became the imperial capital in 1...

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Main Author: Keane, Michael
Format: Book Chapter
Published: Springer 2009
Online Access:http://eprints.qut.edu.au/13015/
http://hdl.handle.net/20.500.11937/20796
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author Keane, Michael
author_facet Keane, Michael
author_sort Keane, Michael
building Curtin Institutional Repository
collection Online Access
description This essay begins with a brief discussion of how the idea of creative industries has provided the impetus for a new phase of cultural infrastructure construction in Beijing. I then contextualise these developments with an abridged history of the city from the time it became the imperial capital in 1420. A walled city of four separate enclosures during Yuan, Ming and Qing dynasties, by the 1950s Beijing had transformed into a sprawling city of industrial districts. The economic reform period which began in 1979 saw a transition from Maoist revolutionary class struggle to a pragmatic model of economic reconstruction and modernisation under Deng Xiaoping. An ensuing boom in development led to a surge in urban migration, putting further pressure on infrastructure. During the mid-1980s several of China’s large cities, notably Shanghai, Shenzhen, Guangzhou, Tianjin and Beijing began to compete with each other, attempting to lure international investment. Beijing assumed a capital complex; not only was it the centre of political power, it saw itself as the cultural centre of the new China.
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spelling curtin-20.500.11937-207962017-09-13T13:51:04Z The Capital Complex : Beijing’s New Creative Clusters Keane, Michael This essay begins with a brief discussion of how the idea of creative industries has provided the impetus for a new phase of cultural infrastructure construction in Beijing. I then contextualise these developments with an abridged history of the city from the time it became the imperial capital in 1420. A walled city of four separate enclosures during Yuan, Ming and Qing dynasties, by the 1950s Beijing had transformed into a sprawling city of industrial districts. The economic reform period which began in 1979 saw a transition from Maoist revolutionary class struggle to a pragmatic model of economic reconstruction and modernisation under Deng Xiaoping. An ensuing boom in development led to a surge in urban migration, putting further pressure on infrastructure. During the mid-1980s several of China’s large cities, notably Shanghai, Shenzhen, Guangzhou, Tianjin and Beijing began to compete with each other, attempting to lure international investment. Beijing assumed a capital complex; not only was it the centre of political power, it saw itself as the cultural centre of the new China. 2009 Book Chapter http://hdl.handle.net/20.500.11937/20796 10.1007/978-1-4020-9949-6_6 http://eprints.qut.edu.au/13015/ Springer restricted
spellingShingle Keane, Michael
The Capital Complex : Beijing’s New Creative Clusters
title The Capital Complex : Beijing’s New Creative Clusters
title_full The Capital Complex : Beijing’s New Creative Clusters
title_fullStr The Capital Complex : Beijing’s New Creative Clusters
title_full_unstemmed The Capital Complex : Beijing’s New Creative Clusters
title_short The Capital Complex : Beijing’s New Creative Clusters
title_sort capital complex : beijing’s new creative clusters
url http://eprints.qut.edu.au/13015/
http://hdl.handle.net/20.500.11937/20796