Buffy the vampire slayer: what being Jewish has to do with it

This article examines the whiteness in the television series Buffy the Vampire Slayer. The author argues that the show’s overwhelming whiteness is a product of a generalized white anxiety about the numerical loss of white dominance across the United States and, in particular, in California. The arti...

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Main Author: Stratton, Jon
Format: Journal Article
Published: Sage Publications 2005
Online Access:http://hdl.handle.net/20.500.11937/19988
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author Stratton, Jon
author_facet Stratton, Jon
author_sort Stratton, Jon
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description This article examines the whiteness in the television series Buffy the Vampire Slayer. The author argues that the show’s overwhelming whiteness is a product of a generalized white anxiety about the numerical loss of white dominance across the United States and, in particular, in California. The article goes on to think through the role that Jewishness plays in the program, discussing the relationship between the apparently Anglo-American Buffy, played by a Jewish actor, and her sidekick, Willow, who is characterized as Jewish but is played by a non-Jewish actor. The evil master in the first series is given Nazi characteristics and the destruction that he wants to inflict carries connotations of the Holocaust. Structurally, Buffy is produced as the Jew who saves the United States from this demonic destruction. In this traumatic renarrativising, the Holocaust comes to stand for the white-experienced crisis of the loss of white supremacy in the United States. With this reading we can begin to understand the show’s popularity among early adult, predominantly white Americans.
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spelling curtin-20.500.11937-199882017-09-13T16:03:34Z Buffy the vampire slayer: what being Jewish has to do with it Stratton, Jon This article examines the whiteness in the television series Buffy the Vampire Slayer. The author argues that the show’s overwhelming whiteness is a product of a generalized white anxiety about the numerical loss of white dominance across the United States and, in particular, in California. The article goes on to think through the role that Jewishness plays in the program, discussing the relationship between the apparently Anglo-American Buffy, played by a Jewish actor, and her sidekick, Willow, who is characterized as Jewish but is played by a non-Jewish actor. The evil master in the first series is given Nazi characteristics and the destruction that he wants to inflict carries connotations of the Holocaust. Structurally, Buffy is produced as the Jew who saves the United States from this demonic destruction. In this traumatic renarrativising, the Holocaust comes to stand for the white-experienced crisis of the loss of white supremacy in the United States. With this reading we can begin to understand the show’s popularity among early adult, predominantly white Americans. 2005 Journal Article http://hdl.handle.net/20.500.11937/19988 10.1177/1527476403255828 Sage Publications fulltext
spellingShingle Stratton, Jon
Buffy the vampire slayer: what being Jewish has to do with it
title Buffy the vampire slayer: what being Jewish has to do with it
title_full Buffy the vampire slayer: what being Jewish has to do with it
title_fullStr Buffy the vampire slayer: what being Jewish has to do with it
title_full_unstemmed Buffy the vampire slayer: what being Jewish has to do with it
title_short Buffy the vampire slayer: what being Jewish has to do with it
title_sort buffy the vampire slayer: what being jewish has to do with it
url http://hdl.handle.net/20.500.11937/19988