Same . . . yet Other: Interpersonal Communication across Alternate Worlds

This chapter explores the way in which the series Fringe portrays the presence of difference between versions of the same person existing in multiple worlds. Fringe offers a unique opportunity to consider in detail the question of interpersonal communication and what might be termed ‘experiential’ o...

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Bibliographic Details
Main Author: Sandry, Eleanor
Other Authors: Tanya R. Cochran
Format: Book Chapter
Published: McFarland 2014
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/16888
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author Sandry, Eleanor
author2 Tanya R. Cochran
author_facet Tanya R. Cochran
Sandry, Eleanor
author_sort Sandry, Eleanor
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description This chapter explores the way in which the series Fringe portrays the presence of difference between versions of the same person existing in multiple worlds. Fringe offers a unique opportunity to consider in detail the question of interpersonal communication and what might be termed ‘experiential’ otherness, for example, by comparing interactions with Olivia against those with Alt-Olivia, and interactions with Walter and against those with Walternate, etc. The chapter is therefore able to analyse the series’ portrayal of the otherness that results between people that are ostensibly the ‘same’, while also being different from each other, in terms of their emotional, intellectual and physical skills, because of their particular life experiences and sociocultural positioning.
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spelling curtin-20.500.11937-168882023-02-13T08:01:37Z Same . . . yet Other: Interpersonal Communication across Alternate Worlds Sandry, Eleanor Tanya R. Cochran Sherry Ginn Paul Zinder television Self-other relations communication theory science fiction This chapter explores the way in which the series Fringe portrays the presence of difference between versions of the same person existing in multiple worlds. Fringe offers a unique opportunity to consider in detail the question of interpersonal communication and what might be termed ‘experiential’ otherness, for example, by comparing interactions with Olivia against those with Alt-Olivia, and interactions with Walter and against those with Walternate, etc. The chapter is therefore able to analyse the series’ portrayal of the otherness that results between people that are ostensibly the ‘same’, while also being different from each other, in terms of their emotional, intellectual and physical skills, because of their particular life experiences and sociocultural positioning. 2014 Book Chapter http://hdl.handle.net/20.500.11937/16888 McFarland restricted
spellingShingle television
Self-other relations
communication theory
science fiction
Sandry, Eleanor
Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title_full Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title_fullStr Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title_full_unstemmed Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title_short Same . . . yet Other: Interpersonal Communication across Alternate Worlds
title_sort same . . . yet other: interpersonal communication across alternate worlds
topic television
Self-other relations
communication theory
science fiction
url http://hdl.handle.net/20.500.11937/16888