Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art
This historical investigation involves reflective artistic practice concerning the visual culture of Gujarati Indians who left India at the beginning of the twentieth century, settled initially in Africa and then England in the 1960s. I examine the migration through the tailoring of garments and in...
| Main Author: | |
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| Format: | Thesis |
| Language: | English |
| Published: |
Curtin University
2015
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| Online Access: | http://hdl.handle.net/20.500.11937/1644 |
| _version_ | 1848743726918139904 |
|---|---|
| author | Natalwala, Hitesh |
| author_facet | Natalwala, Hitesh |
| author_sort | Natalwala, Hitesh |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This historical investigation involves reflective artistic practice concerning the visual culture of Gujarati Indians who left India at the beginning of the twentieth century, settled initially in Africa and then England in the 1960s. I examine the migration through the tailoring of garments and in collage and sculpture. This critiques conventional ethnographic undervaluing of postcolonialism’s dialectic of celebration and trauma. |
| first_indexed | 2025-11-14T05:50:09Z |
| format | Thesis |
| id | curtin-20.500.11937-1644 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T05:50:09Z |
| publishDate | 2015 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-16442017-02-20T06:38:09Z Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art Natalwala, Hitesh This historical investigation involves reflective artistic practice concerning the visual culture of Gujarati Indians who left India at the beginning of the twentieth century, settled initially in Africa and then England in the 1960s. I examine the migration through the tailoring of garments and in collage and sculpture. This critiques conventional ethnographic undervaluing of postcolonialism’s dialectic of celebration and trauma. 2015 Thesis http://hdl.handle.net/20.500.11937/1644 en Curtin University fulltext |
| spellingShingle | Natalwala, Hitesh Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title | Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title_full | Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title_fullStr | Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title_full_unstemmed | Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title_short | Smuggled in a suit with hidden pockets: Gujarati culture and contemporary art |
| title_sort | smuggled in a suit with hidden pockets: gujarati culture and contemporary art |
| url | http://hdl.handle.net/20.500.11937/1644 |