Unlacing carnal margins : portraits by Angela Stewart
In this research I examine artistic doubt as a way to unlace the becoming of a portrait. My interest is in the personal encounter between the painter and sitter. My muse is the sixteenth-century Italian portrait painter, Sofonisba Anguissola and through both creative practice and exegetical writing,...
| Main Author: | |
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| Format: | Thesis |
| Language: | English |
| Published: |
Curtin University
2010
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| Online Access: | http://hdl.handle.net/20.500.11937/160 |
| _version_ | 1848743300497932288 |
|---|---|
| author | Stewart, Angela |
| author_facet | Stewart, Angela |
| author_sort | Stewart, Angela |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | In this research I examine artistic doubt as a way to unlace the becoming of a portrait. My interest is in the personal encounter between the painter and sitter. My muse is the sixteenth-century Italian portrait painter, Sofonisba Anguissola and through both creative practice and exegetical writing, which takes an epistolary approach, I investigate the process, mistakes and interruptions of making that can impact on portrait painting. As such doubt is positioned as caches of ontological moments. |
| first_indexed | 2025-11-14T05:43:23Z |
| format | Thesis |
| id | curtin-20.500.11937-160 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T05:43:23Z |
| publishDate | 2010 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-1602017-02-20T06:40:17Z Unlacing carnal margins : portraits by Angela Stewart Stewart, Angela In this research I examine artistic doubt as a way to unlace the becoming of a portrait. My interest is in the personal encounter between the painter and sitter. My muse is the sixteenth-century Italian portrait painter, Sofonisba Anguissola and through both creative practice and exegetical writing, which takes an epistolary approach, I investigate the process, mistakes and interruptions of making that can impact on portrait painting. As such doubt is positioned as caches of ontological moments. 2010 Thesis http://hdl.handle.net/20.500.11937/160 en Curtin University fulltext |
| spellingShingle | Stewart, Angela Unlacing carnal margins : portraits by Angela Stewart |
| title | Unlacing carnal margins : portraits by Angela Stewart |
| title_full | Unlacing carnal margins : portraits by Angela Stewart |
| title_fullStr | Unlacing carnal margins : portraits by Angela Stewart |
| title_full_unstemmed | Unlacing carnal margins : portraits by Angela Stewart |
| title_short | Unlacing carnal margins : portraits by Angela Stewart |
| title_sort | unlacing carnal margins : portraits by angela stewart |
| url | http://hdl.handle.net/20.500.11937/160 |