Joss Whedon, Dr. Horrible, and the Future of Web Media

In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production,...

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Bibliographic Details
Main Author: Leaver, Tama
Format: Journal Article
Published: Routledge 2013
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/15253
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author Leaver, Tama
author_facet Leaver, Tama
author_sort Leaver, Tama
building Curtin Institutional Repository
collection Online Access
description In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible's Sing-Along Blog. Whedon and his collaborators positioned Dr. Horrible as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. Dr. Horrible was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to Dr. Horrible's success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production.
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spelling curtin-20.500.11937-152532017-09-13T15:56:51Z Joss Whedon, Dr. Horrible, and the Future of Web Media Leaver, Tama Online Distribution Fans Social Media Dr Horrible Paratexts Joss Whedon Labor Web Media In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible's Sing-Along Blog. Whedon and his collaborators positioned Dr. Horrible as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. Dr. Horrible was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to Dr. Horrible's success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production. 2013 Journal Article http://hdl.handle.net/20.500.11937/15253 10.1080/15405702.2013.779510 Routledge fulltext
spellingShingle Online Distribution
Fans
Social Media
Dr Horrible
Paratexts
Joss Whedon
Labor
Web Media
Leaver, Tama
Joss Whedon, Dr. Horrible, and the Future of Web Media
title Joss Whedon, Dr. Horrible, and the Future of Web Media
title_full Joss Whedon, Dr. Horrible, and the Future of Web Media
title_fullStr Joss Whedon, Dr. Horrible, and the Future of Web Media
title_full_unstemmed Joss Whedon, Dr. Horrible, and the Future of Web Media
title_short Joss Whedon, Dr. Horrible, and the Future of Web Media
title_sort joss whedon, dr. horrible, and the future of web media
topic Online Distribution
Fans
Social Media
Dr Horrible
Paratexts
Joss Whedon
Labor
Web Media
url http://hdl.handle.net/20.500.11937/15253