Going global or going nowhere? Chinese media in a time of flux

This article focuses on how Chinese media industries have sought to expand into new territories, identifying several mechanisms by which Chinese cultural and media products are traded and consumed: namely finished content, co-productions, formats and online platforms. The article also considers the...

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Main Author: Keane, Michael
Format: Journal Article
Published: University of Queensland, School of English, Media Studies & Art History 2016
Online Access:http://purl.org/au-research/grants/arc/DP140101643
http://hdl.handle.net/20.500.11937/13485
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author Keane, Michael
author_facet Keane, Michael
author_sort Keane, Michael
building Curtin Institutional Repository
collection Online Access
description This article focuses on how Chinese media industries have sought to expand into new territories, identifying several mechanisms by which Chinese cultural and media products are traded and consumed: namely finished content, co-productions, formats and online platforms. The article also considers the value of overseas location shooting for domestic programmes and acquisition of international media assets. The key idea that is discussed in regards to China's outward-bound trade mission is know-how. In respect to media production, producers tend to opt for risk avoidance rather than creative exploration. Consequently, Chinese producers, investors and practitioners are deficient in knowledge of international markets and audience perceptions because the government has chosen to intervene, select and guide Chinese products. The article suggests this is gradually changing.
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institution Curtin University Malaysia
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publisher University of Queensland, School of English, Media Studies & Art History
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spelling curtin-20.500.11937-134852022-10-12T02:54:59Z Going global or going nowhere? Chinese media in a time of flux Keane, Michael This article focuses on how Chinese media industries have sought to expand into new territories, identifying several mechanisms by which Chinese cultural and media products are traded and consumed: namely finished content, co-productions, formats and online platforms. The article also considers the value of overseas location shooting for domestic programmes and acquisition of international media assets. The key idea that is discussed in regards to China's outward-bound trade mission is know-how. In respect to media production, producers tend to opt for risk avoidance rather than creative exploration. Consequently, Chinese producers, investors and practitioners are deficient in knowledge of international markets and audience perceptions because the government has chosen to intervene, select and guide Chinese products. The article suggests this is gradually changing. 2016 Journal Article http://hdl.handle.net/20.500.11937/13485 10.1177/1329878X16638937 http://purl.org/au-research/grants/arc/DP140101643 University of Queensland, School of English, Media Studies & Art History fulltext
spellingShingle Keane, Michael
Going global or going nowhere? Chinese media in a time of flux
title Going global or going nowhere? Chinese media in a time of flux
title_full Going global or going nowhere? Chinese media in a time of flux
title_fullStr Going global or going nowhere? Chinese media in a time of flux
title_full_unstemmed Going global or going nowhere? Chinese media in a time of flux
title_short Going global or going nowhere? Chinese media in a time of flux
title_sort going global or going nowhere? chinese media in a time of flux
url http://purl.org/au-research/grants/arc/DP140101643
http://hdl.handle.net/20.500.11937/13485