The pattern of a batik revival

UNESCO’s Intangible Cultural Heritage (ICH) program should be a good fit for Indonesia. A nation-state containing over 300 ethnic groups, living on over 3000 islands (and some groups, like the Bajou, living on the waters between them) spread over 5000 kilometres is bound to exhibit a diverse and int...

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Main Author: Jones, Tod
Format: Non traditional textual works
Published: 2016
Online Access:http://www.insideindonesia.org/the-pattern-of-a-batik-revival
http://hdl.handle.net/20.500.11937/12659
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author Jones, Tod
author_facet Jones, Tod
author_sort Jones, Tod
building Curtin Institutional Repository
collection Online Access
description UNESCO’s Intangible Cultural Heritage (ICH) program should be a good fit for Indonesia. A nation-state containing over 300 ethnic groups, living on over 3000 islands (and some groups, like the Bajou, living on the waters between them) spread over 5000 kilometres is bound to exhibit a diverse and interesting set of cultural practices. The official story of Indonesia’s ICH program indeed is a celebration of diverse practices surviving and sometimes thriving within a national framework. However the ICH program also raises a more important and interesting set of issues that have fascinated the most prominent scholars of Indonesia since World War II, from Clifford Geertz and Ben Anderson to Anna Tsing. How can we understand the processes that produce such a diverse set of practices, peoples and outcomes across Indonesia within constantly entwining and unifying political and economic systems? What does this mean for the people caught up in these processes and politics?
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spelling curtin-20.500.11937-126592018-05-01T06:13:06Z The pattern of a batik revival Jones, Tod UNESCO’s Intangible Cultural Heritage (ICH) program should be a good fit for Indonesia. A nation-state containing over 300 ethnic groups, living on over 3000 islands (and some groups, like the Bajou, living on the waters between them) spread over 5000 kilometres is bound to exhibit a diverse and interesting set of cultural practices. The official story of Indonesia’s ICH program indeed is a celebration of diverse practices surviving and sometimes thriving within a national framework. However the ICH program also raises a more important and interesting set of issues that have fascinated the most prominent scholars of Indonesia since World War II, from Clifford Geertz and Ben Anderson to Anna Tsing. How can we understand the processes that produce such a diverse set of practices, peoples and outcomes across Indonesia within constantly entwining and unifying political and economic systems? What does this mean for the people caught up in these processes and politics? 2016 Non traditional textual works http://hdl.handle.net/20.500.11937/12659 http://www.insideindonesia.org/the-pattern-of-a-batik-revival restricted
spellingShingle Jones, Tod
The pattern of a batik revival
title The pattern of a batik revival
title_full The pattern of a batik revival
title_fullStr The pattern of a batik revival
title_full_unstemmed The pattern of a batik revival
title_short The pattern of a batik revival
title_sort pattern of a batik revival
url http://www.insideindonesia.org/the-pattern-of-a-batik-revival
http://hdl.handle.net/20.500.11937/12659