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Horsley, Adam
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‘Ne l’as-tu point vu passer, mon garde?’: towards a third version of Cyrano de Bergerac’s Le Pédant joué
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Horsley, Adam
Published 2012
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2
Remarks on subversive performance at the trial of Giulio Cesare Vanini (1618-19)
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Horsley, Adam
Published 2015
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